{"id":5566,"date":"2023-07-03T21:18:20","date_gmt":"2023-07-03T12:18:20","guid":{"rendered":"http:\/\/giaf2023.dothome.co.kr\/?post_type=avada_portfolio&p=5566"},"modified":"2024-01-09T18:16:47","modified_gmt":"2024-01-09T09:16:47","slug":"%eb%a1%9c%ec%82%ac-%eb%b0%94%eb%b0%94","status":"publish","type":"avada_portfolio","link":"http:\/\/giaf23.com\/?avada_portfolio=%eb%a1%9c%ec%82%ac-%eb%b0%94%eb%b0%94","title":{"rendered":"\ub85c\uc0ac \ubc14\ubc14"},"content":{"rendered":"

Rosa Barba
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<Inside the Outset: Evoking a Space of Passage>, 2021, 16mm \ud544\ub984\uc744 \ub514\uc9c0\ud138 8K \ud544\ub984\uc73c\ub85c \ubcc0\ud658, \uceec\ub7ec, \uc0ac\uc6b4\ub4dc, 31\ubd84 15\ucd08.<\/h2>

Inside the Outset: Evoking a Space of Passage, 2021, 16mm film transferred to digital and 8k film, color, sound, 31min 15sec.<\/p><\/div><\/div><\/div><\/div>

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<Inside the Outset: Evoking a Space of Passage>, 2021, 16mm \ud544\ub984\uc744 \ub514\uc9c0\ud138 8K \ud544\ub984\uc73c\ub85c \ubcc0\ud658, \uceec\ub7ec, \uc0ac\uc6b4\ub4dc, 31\ubd84 15\ucd08.<\/h2>

Inside the Outset: Evoking a Space of Passage, 2021, 16mm film transferred to digital and 8k film, color, sound, 31min 15sec.<\/p><\/div><\/div><\/div><\/div>

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<Inside the Outset: Evoking a Space of Passage>, 2021, 16mm \ud544\ub984\uc744 \ub514\uc9c0\ud138 8K \ud544\ub984\uc73c\ub85c \ubcc0\ud658, \uceec\ub7ec, \uc0ac\uc6b4\ub4dc, 31\ubd84 15\ucd08.<\/h2>

Inside the Outset: Evoking a Space of Passage, 2021, 16mm film transferred to digital and 8k film, color, sound, 31min 15sec.<\/p><\/div><\/div><\/div><\/div>

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<Inside the Outset: Evoking a Space of Passage>, 2021, 16mm \ud544\ub984\uc744 \ub514\uc9c0\ud138 8K \ud544\ub984\uc73c\ub85c \ubcc0\ud658, \uceec\ub7ec, \uc0ac\uc6b4\ub4dc, 31\ubd84 15\ucd08.<\/h2>

Inside the Outset: Evoking a Space of Passage, 2021, 16mm film transferred to digital and 8k film, color, sound, 31min 15sec.<\/p><\/div><\/div><\/div><\/div><\/div>

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\ub85c\uc0ac \ubc14\ubc14\ub294 \uc870\uac01\uc801 \uad00\uc810\uc73c\ub85c \uc601\ud654\uc758 \uac1c\ub150\uacfc \uc0b0\uc5c5\uc744 \ud0d0\uad6c\ud558\uace0, \ubb38\ud654\ub97c \uad00\ucc30\ud558\ub294 \uc791\uc5c5\uc744 \uc774\uc5b4\uc624\uace0 \uc788\ub2e4. \uc774\ubc88 \ud398\uc2a4\ud2f0\ubc8c\uc5d0\uc11c \uc120\ubcf4\uc774\ub294 <Inside the Outset: Evoking a Space of Passage>\ub294 \uc601\ud654\uc758 \ub9e4\uccb4\uc801 \ud2b9\uc131\uacfc \uad6c\uc131 \ubc29\uc2dd\uc5d0 \ub300\ud574 \uc9c8\ubb38\ud558\ub294 \uc791\ud488\uc774\ub2e4. \uc2e4\ud5d8\uc801\uc778 \ub2e4\ud050\uba58\ud130\ub9ac\uc640 \ud5c8\uad6c\uc801 \ub0b4\ub7ec\ud2f0\ube0c \uc0ac\uc774\ub97c \ub2e4\ub8ec \uc774 \uc791\ud488\uc740 \uc0ac\uc774\ud504\ub7ec\uc2a4 \ud574\uc548\uac00\uc5d0\uc11c \ubc1c\uacac\ud55c \ub9c8 \ub9c8\uc870\ud1a0\uc2a4 \ub09c\ud30c\uc120\uc744 \ucd2c\uc601\ud588\ub2e4. \ub300\ud55c\ubbfc\uad6d\ucc98\ub7fc \ub0a8\uacfc \ubd81\uc73c\ub85c \ub300\ub9bd \uc911\uc778 \ubd84\ub2e8\uad6d\uac00\uc778 \uc0ac\uc774\ud504\ub7ec\uc2a4\ub294 \uc720\uc5d4\uc774 \uad00\ub9ac\ud558\ub294 \u2018\uadf8\ub9b0 \ub77c\uc778\u2019\uc774\ub77c\uace0 \ubd88\ub9ac\ub294 \uc644\ucda9\uc9c0\ub300\uac00 \uc788\ub2e4. \uc791\uac00\ub294 \uadf8\ub9b0 \ub77c\uc778\uc5d0 \uc57c\uc678 \uc601\ud654\uad00\uc744 \uc124\uce58\ud558\ub294 \uacfc\uc815\uc744 \ubcf4\uc5ec\uc8fc\uba70, \uacf5\uac04\uc744 \ub458\ub7ec\uc2f8\uace0 \ucda9\ub3cc\ud558\ub294 \ub2e4\uc591\ud55c \uad00\uc810\uacfc \uc774\ud574\uad00\uacc4\ub97c \uc608\uc220\uc801 \uc811\uadfc\uc73c\ub85c \uc870\ub9dd\ud55c\ub2e4.<\/span><\/p>\n<\/div>

Rosa Barba, based on a sculptural perspective, explores the concept of film and its industry by presenting her observations on culture and guiding the audience\u2019s contemplation. In the work, Inside the Outset: Evoking a Space of Passage, the structure of film and its specificity as a medium is questioned. Navigating between experimental documentary and fictional narratives, the work was shot at the wreckage of Mazotos off the coast of Cyprus. Cyprus, a divided nation like South and North Korea, has a buffer zone known as the ‘Green Line’ managed by the United Nations. By showing the process of setting up an outdoor cinema in the Green Line, Rosa Barba provides an artistic perspective on the conflicting viewpoints and relationships surrounding the space.<\/span><\/p>\n<\/div>

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<Stellar Populations>, 2017\/2022, \ubaa8\ud130, \uc720\ub9ac, 35mm \ud544\ub984, \uc2a4\ud14c\uc778\ub9ac\uc2a4 \uc2a4\ud2f8 \uad6c, \uc2a4\ud2f8 \ud504\ub808\uc784, 86 \u00d7 60 \u00d7 12.8 cm, 3 + 2AP \uc5d0\ub514\uc158.<\/h2>

Stellar Populations, 2017\/2022, Motor, glass, 35mm film, stainless steel spheres, steel frame, 86 \u00d7 60 \u00d7 12.8 cm, Edition of 3 + 2AP.<\/p><\/div><\/div><\/div><\/div>

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<Stellar Populations>, 2017\/2022, \ubaa8\ud130, \uc720\ub9ac, 35mm \ud544\ub984, \uc2a4\ud14c\uc778\ub9ac\uc2a4 \uc2a4\ud2f8 \uad6c, \uc2a4\ud2f8 \ud504\ub808\uc784, 86 \u00d7 60 \u00d7 12.8 cm, 3 + 2AP \uc5d0\ub514\uc158.<\/h2>

Stellar Populations, 2017\/2022, Motor, glass, 35mm film, stainless steel spheres, steel frame, 86 \u00d7 60 \u00d7 12.8 cm, Edition of 3 + 2AP.<\/p><\/div><\/div><\/div><\/div><\/div>

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<Stellar Populations>\ub294 \ubaa8\ud130\uc5d0 \uc758\ud574 \uc6c0\uc9c1\uc774\ub294 \ub77c\uc774\ud2b8 \ubc15\uc2a4 \ub0b4\ubd80\uc5d0 35mm \ud544\ub984 \uc2a4\ud2b8\ub9bd\uc774 \ud1b5\uc81c\ud560 \uc218 \uc5c6\ub294 \uc6c0\uc9c1\uc784\uc5d0 \uc758\ud574 \ubb34\uc9c8\uc11c\ud558\uac8c \uc6c0\uc9c1\uc774\ub294 \ud544\ub984\uc758 \ubaa8\uc2b5\uc744 \ubcfc \uc218 \uc788\ub2e4. \uc601\ud654\ub97c \u2018\ubcf4\ub294 \uac83\u2019\uc744 \ub118\uc5b4 \ud504\ub85c\uc81d\ud130, \uc2a4\ud06c\ub9b0 \ub4f1\uc758 \ubb3c\uc9c8\uc801\uc778 \uac83\uc5d0\ub3c4 \uc9d1\uc911\ud574\uc624\uace0 \uc788\ub294 \uc791\uac00\ub294 \uc870\uac01\uc801\uc778 \uc811\uadfc\uc744 \ud1b5\ud574 \uc601\ud654\uac00 \uacf5\uac04\uc744 \ud45c\ud604\ud558\ub294 \ubc29\uc2dd\uc744 \ubd84\uc11d\ud558\uace0 \uc791\ud488\uacfc \uad00\ub78c\uac1d \uc0ac\uc774\uc5d0 \uc0c8\ub85c\uc6b4 \uad00\uacc4\ub97c \uc124\uc815\ud55c\ub2e4.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>

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Stellar Populations allows viewers to observe the chaotic movement of 35mm film strips inside a lightbox.
Beyond merely \u2018watching\u2019 a film, Rosa Barba has been focusing on the material aspects of cinema, including
projectors and screens. Through installations and site-specific interventions, the artist illustrates how the space
is expressed and reflected through time, positioning the viewers in new temporal and spatial contexts.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>

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Audio Guide \uc624\ub514\uc624 \uac00\uc774\ub4dc<\/span><\/a><\/div>
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